About Ostrow and Company

Mission And Commitment

Ostrow and Company believes in supporting the creative process behind a motion picture that begins with a compelling story and ultimately changes the way people think globally. The thoughtful execution of the story in a feature film or documentary is what makes it entertaining to watch. The skillful navigation through the Hollywood landscape is what allows the film to arrive and be seen by as many people as possible.

Ostrow and Company has arranged financing and or negotiated distribution for over 125 feature films and numerous documentaries. Our commitment is to good story telling that is compelling and entertaining. Our passion is to negotiate the business of film distribution and finance for producers and filmmakers who want to make a difference by delivering films that raise the consciousness of the viewer.

Ostrow and Company handles all aspects of the business of film so that the creative team can focus on what they do best- Create! Hopefully, the result is that the world is a better place.

Focus

Ostrow and Company focuses on three main areas of business for the filmmakers, independent producers and production companies:Ostrow and Company negotiates deals for international and domestic distribution for all rights including theatrical, television and home entertainment. We strategically roll out with a film or project. We also follow up to track sales and handle collections on behalf of our clients.

Ostrow and Company provides a constant flow of quality films to the marketplace by scouting all the major film festivals, television and film markets. We are steadily building our staff of creative executives who attend film festivals, screenings and events. We aim to connect with the creative community who deliver the type of films we believe in and who see the benefit in engaging us to provide the kind of business support we offer as producers representatives.

Strategy

We role out wide with a film or project in order to provide the opportunity for the executives to simultaneously experience the product at the studios, mini majors and independent international and domestic distribution companies. Creating a sense of urgency and ‘buzz’ is something we are known for and allows us to leverage interest from the various distribution platforms in order to create bidding wars. A specific strategic game plan is designed for each new completed film we have been engaged to represent in or out of the festival circuit.

President

Page B. Ostrow:  Ostrow and Company was founded by veteran entertainment industry executive Page B. Ostrow who has arranged financing and or negotiated distribution for over 150 feature films and numerous documentaries working initially on behalf of numerous international distributors until 2000 when inspired by a vision to protect the interests of independent filmmakers, Page Ostrow shifted the company focus to representing films and projects on behalf of filmmakers and producers requiring distribution and financing. Some of the films represented are "Stolen Childhoods" Meryl Streep, "Juvies"- Mark Wahlberg on HBO, "The Bros" Lions Gate "Drugging of Our Children" Michael Moore, "Make It Funky" Sony Pictures to name a few.

Ostrow’s background includes working under contract for Initial Entertainments Graham King distributor/producer of Oscar winning films such as ‘The Departed’, ‘The Aviator’ and ‘Blood Diamond’. These days, in order to find, negotiate track and collect on deals for independent filmmakers and producers Ostrow relies on her extensive relationships and the previous distribution expertise developed during the ten years she spent providing distributors with global sales support, licensing and pre-sales for their film projects and libraries to international buyers at all the film markets. As a result Page Ostrow maintains her contacts with key executives who have a shared vision toward launching quality films into the marketplace.

Associates

Mark Horowitz:  After fifteen years as Vice President of Sony Pictures business affairs, Mark Horowitz joins Ostrow and Company bringing with him two decades of business experience working initially for Columbia Pictures and TriStar. Mark Horowitz affords Ostrow an inside track into the studios and expertise in contract negotiations which benefit the clients we represent. Communication, relationships, and business skills developed at the studios are a spring board for exciting deal opportunities on behalf of the films we are representing to the domestic and international marketplace.

Mark Belasco:  As the key point person contracted by Ostrow and Company president Page Ostrow, Mark Belasco brings great communication and organization skills, acting as a liaison between our producer and filmmaking clients, distributors, licensors and fellow sales associates making sure each film we represent gets the attention and energy it deserves.

Hara Finnegan:  Hara Finnegan originally contracted with Ostrow and Company in 2006 as a film scout, attending festivals, researching films and seeking out up and coming talented filmmakers. In 2008, she became a film scout leader, managing other film scouts in search of outstanding feature films and documentaries for Ostrow and Company to represent.

Jules Le Mesurier:  At the center of communications and managing the ever increasing number of submissions (both projects in development and scripts) is Jules Le Mesurier, Associate Coordinator.

John D. Gregory:  After 10 years of successful sales and marketing work in the entertainment industry, John David Gregory (aka “J.D.”) aligned himself with Ostrow And Company as a Creative Associate in 2003.

Gerald Cole:  Gerald Cole has been under contract with Ostrow and Company since 2005. As a creative consultant, webmaster, and liason between our filmmakers and our president, Gerald creates a compelling presentation on behalf of all of our films...


Scouts and Story Analysts:  Our scouts are the liasons to the filmmakers and creative community attending film festivals and screenings. Our Story Analysts evaluate scripts and create detailed notes to clarify coverage, regarding story, structure, plot, characters, and dialog. Their valuable reports are used to help determine the overall appeal of the material.